 |
2016-04-25 05:57:53 D●●●●●●ry ●●●●●●ies can ●●●●●●ec be ●●●●●●sed over the ●●●●●●r Stach’s book ●●●●●●ds ●●●●●●antly at ●●●●●●ng a path ●●●●●●h the thick ●●●●●●●●●●●● fog that has hung about Kafka’s work ●●●●●● since his death. As ●●●●●●ne knows, Kafka ●●●●●●ted that Max Brod burn his ●●●●●●ished work; as ●●●●●●ne knows, Brod ●●●●●●d the ●●●●●●ction, ●●●●●● ●●●●●●r Kafka ●●●●●● ●●●●●●ed him to ●●●●●● ●●●●●●s open to ●●●●●●. Brod had long ●●●●●●ined of Kafka’s ●●●●●●●●●●●●m in life, and, as a ●●●●●●ss ●●●●●●er of other ●●●●●●s, he was ●●●●●●ined that his ●●●●●● ●●●●●● have his due in death. His ●●●●●●n of Kafka as “the ●●●●●●st poet of our time” and his ●●●●●●e of ●●●●●●ed-●●●●●●er ●●●●●●●●●●●● and ●●●●●●●●●●●● ●●●●●●d to cast Kafka as a kind of ●●●●●●ly sage, ●●●●●●●●●●●● a long ●●●●●●ion of ●●●●●●al ●●●●●●ess to ●●●●●●ng but the most ●●●●●●s, ●●●●●● and ●●●●●●ous ●●●●●●s of the work. Such ●●●●●●●●●●●●ons were given ●●●●●●r ●●●●●●●●●●●● by the ●●●●●●s ●●●●●●ors of the ●●●●●●●●●●●● era in which Kafka ●●●●●●s came of age. |